Children of the Sea 1
Posted: June 5, 2009 Filed under: Children of the Sea 8 Comments »I have to say, I’m all about Viz’s recent online manga efforts. I’ve been reading Rin-ne every week (mostly because, well, I like Rumiko Takahashi and I like shinigami, but it’s got sort of a slow start), and recently, Viz launched an online version of Ikki magazine with a weekly release schedule for chapters of Children of the Sea. I believe there will be more content when the site formally launches at the end of summer, but for now, Children of the Sea is quite a treat. There are three chapters up currently, but this review is for the full volume.
It’s not so much driven by story as it is by the art and setting (a coastal town with a marine research facility/aquarium). It’s comparable to Aria in that way, except Aria… well, it doesn’t have nearly the depth that this does, which is a strange thing to say about series which primarily focus on sight-seeing. Aria’s structure is mostly episodic stories where the characters take in the scenery, whereas in Children of the Sea, the rather serious-minded and wordless exploration leads to revealing more about the mysterious plot. The gist is that a misfit girl named Ruka starts hanging out with two boys named Umi and Sora who were supposedly raised in the sea and are seeking out other people who witnessed a mystery/phenomena some years ago. Apparently anyone who witnessed the event was deeply impacted by it. But you don’t find all this out at once.
The book is mostly amazing scenery shots as Ruka travels to different locations around town on her bike and bits where someone, usually Umi, is swimming among fish, plantlife, rocks, and everything else underwater. The art has an extremely… rough and organic look to it, unlike the extremely stylized art in Aria, so it lends itself better to depicting the sea life and nature (whereas a lot of Aria’s strengths are in architecture, so I suppose that balances out). The composition and scale of the illustrations are also not to be believed, and there are wonderful full-page illustrations of things like a small Ruka staring into a massive tank with a tiny Umi swimming among schools of fish, or Ruka floating underwater and remaining still while a sea of gigantic whale sharks passes her by. Later in the book, there are scenes where massive, exotic fish beach themselves. The depiction is somehow both grotesque and beautiful. There’s not a lot of noise or dialogue, so most of what happens is just observation, both by the reader and Ruka. I said the same thing of Aria too, but this book is somehow a lot quieter and paced more slowly than Aria. They’re really not comparable at all once you read them both, but it’s easy to see parallels between them, which is why I keep bringing it up.
The scenes are occasionally surreal as well. In my favorite scene, as Ruka pedals her bike through a heavy downpour, she suddenly realizes that the sensation is not unlike swimming. As the thought surfaces, she glances up and sees what appears to be Umi swimming in midair above her for a second. No explanation is offered. The entire series is introduced in the first few pages as a true event (presented by someone who is perhaps an older Ruka) and at the same time a tall tale, or maybe a big fish story. It does a good job of being somehow both fantastic and grounded, so the introduction sets the mood quite well.
And while you’re absorbing what is usually a rather breathtaking illustration or moment such as the one at the aquarium I described above, usually a small piece of the plot will be offered up. As Ruka looks up at the tank, her dad walks up behind her and tells her in a straightforward manner that Umi was raised by manatees. In another scene, as Ruka casually offers up an observation about the fish that they’d been watching and swimming with for some time, Umi makes a face and reveals what it is that he and Sora have been doing all these years. No plot details immediately connect, and usually only one or two facts ever come to light in each chapter. The buildup is slow, but I really would love nothing more than watching the characters meander and take their time doing things.
Currently, the plot is establishing an intriguing mystery, and although there aren’t really a lot of hooks that would keep a reader coming back, it’s the way the story is told and the absolutely amazing art that make this series unique. The fact that there’s an overarching plot and continuity is just a bonus. It’s also the perfect series to offer online for free, because between the artwork and the beautiful book presentation, it’s pretty apparent that it is very special and worth owning.
This was a review copy provided by Viz.
I couldn’t agree with you more regarding the meandering journey this story takes. While I’ve only been reading the online chapters so far, I know I’ll be reading the full volume as soon as it’s available. This story is so beautiful and sets a deliberate pace; as opposed to the “running” you do to keep along with some stories, I think this is more of a “hike” — most of the time, you’re just following along, but there are moments when you stop and simply admire the scenery.
The only thing I disagree with is the quiet you mention. I think chapter three was pretty noisy, actually. Not in terms of dialogue, but with ambient noise. It really helps bring a sense of place to the world Igarashi created, I think.
Anyways, great review and observations! I think I should go check out Aria now…
I stopped reading this online after the first chapter because this manga and my frame of mind whenever I am on a computer do not get along. I do want to buy the graphic novel so I can enjoy it away from the hum of electronics.
Some of those scenes were so vivid I was like “I know that place! That’s, that’s…” and I realized that it actually didn’t have any landmarks by which I could say it was any particular place, it had just evoked images from my own memories of coastlines.
[...] on vol. 27 of Bleach (Kuriousity) Kate Dacey on vols. 1-4 of Canon (The Manga Critic) Connie on vol. 1 of Children of the Sea (Slightly Biased Manga) Erica Friedman on vol. 16 of Comic Yuri Hime (part 2) (Okazu) Chloe [...]
It was the same for me, I read chapter one and just a bit of chapter two, and knew it was better to wait for the book on this one. The story is good, but it’s looking at the art that was the main draw, and I can really only enjoy it thoroughly if I’m looking at the book. I am looking forward to seeing more story-driven work on the Ikki website though, I hope that happens later.
Lorena: Thanks! Aria is definitely a good read if you liked this, but Aria is inherently more anime-ish. It’s still wonderful at being a series solely about taking in nature, though.
You’re right about the ambient noise. It does add a lot to the outdoor parts. Sound may play more and more of a role too, since something is made of the whale songs as plot points in the second half of the book. I was thinking more of visual and character noise when I said that, in that the series lacks a lot of jumping around and action and the characters aren’t constantly talking and yelling at one another. I like it a lot for cutting that stuff out.
sig ikki recently posted a video trailer for children of the sea
check it out
Children of the Sea Video trailer
Beautiful book, excellent art and the story I don’t care much about. If I should choosed between this and Aria, I’d choose Aria. BTW, I don’t see Cross Game on this site. I recommend it wholeheartedly, one of the most addictive comics I’ve ever read.. ^_^
Yeah, I liked Aria more too. They’re completely different, but what I like about them is the same, more or less. Children of the Sea has better art, I think, but I genuinely enjoy reading Aria.
I just got Cross Game in the mail a couple days ago. I’m pretty excited. I liked Short Cuts a lot, and I’m glad I finally get to read his baseball manga.