Sugarholic 4

Gong GooGoo – Yen Press – 2010 – 5 volumes

This took place entirely in Thailand, and was… mmm, a wild ride, but not completely unexpected.

It’s clear that Whie-Hwan is a conflicted rich guy, and that he grew up in Thailand and wants to see his mentor more than anything. It’s also clear that he’s slipped whoever it is that’s supposed to be watching him, so of course a crazy trip ensues where Whie-Hwan and Jae-Gyu wind up walking 150 miles on foot to the place where the mentor is supposed to be. And of course lots of bonding and soul-bearing happens along the way. That’s just how these things work.

That doesn’t mean this wasn’t great, though. Jae-Gyu’s silliness is still somehow acceptable, and it brings really great vibes to the story. It allows itself some drama here, but it doesn’t get too dark, which is important in a silly romance like this. I also like that the stoic Whie-Hwan isn’t as much a jerk as he could be, and isn’t prone to bouts of straight-man silliness that sometimes happens in these Korean comics. They work well together, and their relationship is pretty adorable and sincere, which is why a volume like this works.

Then it pulls a Let Dai and Jae-Gyu is left alone by herself in Seoul, wondering what happened to the terrific Whie-Hwan. This leaves the story the perfect opportunity to develop Hee-Do into boyfriend material. Hee-Do dotes on Jae-Gyu, and it’s clear that they live well together, but Jae-Gyu isn’t feeling it, which makes me wonder why Hee-Do isn’t there. He was never a very serious contender for her affections. But this is him in his best form, and the smooth lines and smooth moves are nice, especially since none of it is stuff that Whie-Hwan is inclined towards.

Just in case you were wondering, this is still ridiculously addictive. It just gets better as it goes along, and I’m very excited to read the conclusion next volume. Admittedly, you could swap it out with several other Yen Press titles, but they’re all good, so that’s not something I’m really keeping track of.


Seduction More Beautiful Than Love 2

Lee Hyeon-Sook – Tokyopop – 2008 – 2+ volumes
Tokyopop’s translation stops at volume 2

While this series does have pretty art, I’m left a little cold on the romance, which seems to be the point. All the same, there is an intriguing conflict set up here, and Ryumin’s intentions become puzzling and far less clear than they should be, which is definitely several points in this series’ favor.

Daoun deals with the fallout from falsely accusing a student of stealing test results last volume. The student liked her enough that she was trying to leave Daoun a present when she was caught, which of course makes this situation that much uglier. Students badmouth her, parents badmouth her, and other teachers badmouth her. Later, since the student’s opinion of her has deteriorated, she is unable to make a single one of her homeroom students attend mandatory after-school tutoring sessions, which puts her in bad standing with the administration.

She wonders if any of it is worthwhile, but Hyunwoo stands by her. He’s a good character, and I loved the way his shy admiration from afar, confident that he almost has Daoun in a position to admit his feelings after so many years, is contrasted with the bold Ryumin. Hyunwoo blows off Daoun’s concerns about Ryumin being too forward as paranoia, but as Ryumin begins to target Hyunwoo for teasing and antagonizing, he is less sure of himself. The contrast between these two, and the completely opposite ways they help Daoun, is quite unique, and I’d love to see either of them make a very serious move. Of course, Ryumin’s been making serious moves from the beginning, but his actions become less clear here.

The blur comes partially as a result of his erratic help concerning the accused student. He acts as a go-between without telling Daoun, but then does something malicious and taunts her later. He also hinders her progress in the after-school tutoring later. Does he still like her, do his actions reflect a change in his mood, or is he acting out of jealousy since Daoun is spending more and more time with Hyunwoo? The ambiguous intent is intentional, and again, I would love to see the mystery unravel as Ryumin grows closer to Daoun.

The other reason Ryumin’s intentions are unclear is because he has a girlfriend. He says no, she says yes, but he’s clearly intimate with her, and he shows at least one scene where he genuinely cares about her. She begins to pick up on his feelings for Daoun, and by the end of the volume, has Daoun in a tight spot. She’s rather evil, and the missing dangerous piece from the majority of the first two volumes: none of the characters act like a teacher and student together is a dangerous thing, but surely if Daoun was caught with Ryumin, it would be bad for her?

I’m still not entirely fond of Daoun as a main character, since she’s still rather vanilla and lacks personality quirks. I think a vanilla character is probably best considering the two types of men vying for her affection, and I am happy this isn’t being played for comedy. It’s true that neither Ryumin or Hyunwoo are terribly three-dimensional at this point, too, but all the same, they’re making some interesting friction together.

The pieces are all here as far as romance stories go, but they’re fitting together in a different way, and I’m growing to like it more and more the further I read. Its tone is also more mature and josei-ish than, say, Sugarholic, even though one of the love interests is still in high school. I do like the marginally more mature flavor here (other than the fact everything is happening slowly and a lot of attention is paid to Daoun’s career, I don’t know if this is that much different than a mature high school title), and I love the art and setup so far. It’s not one of my favorites, and I’m not absolutely crushed I can’t pick up the next volume, but I still think it’s another unique voice that won’t continue, and that’s a shame.


Manga Village New Releases 7/28/2010

The crew over at Manga Village shares weekly picks from among the new releases, and this week is no exception. Check it out over at Manga Village.

A big week, with lots of great stuff coming out. Several of my favorite series have new volumes, and usually that would mean a hard choice. But not this week. This week one book stands above the others. A world apart, you might say. A shining star, perhaps the color of platinum.

I could do this all night. I haven’t even resorted to song lyrics yet.


Sgt. Frog 13

Mine Yoshizaki – Tokyopop – 2007 – 20+ volumes

Holy crap, the covers to the Japanese volumes of this series are AWFUL. Thank you, Tokyopop, for sparing us that. In English, this volume features a delightful Street Fighter parody with frogs.

Anyway, once again, the formula’s wearing a little thin for me here. I want to like it, I really do. And I have a high tolerance for episodic, formulaic series, and I can look the other way when I know some elements repeat themselves (ie Oh My Goddess). But I just haven’t really enjoyed this series in a long time.

It’s not really Sgt. Frog’s fault. There are still flashes of cute to be found here. I loved the April Fool’s chapter, and I thought the ski vacation and hanami chapters were adorable, and I was very impressed that, so late in the series, introducing Momoka’s mother could still be so exciting. Things like this stick in my memory, and make me want to pick up the next volume.

But then we get the Alisa Southern-Cross chapters. Actually, that was the worst part about this volume, and most everything else was great. I think I just hate being reminded that there are other aliens, and that the Keronians are trying to invade. I know they are. I know they’re bad at it. We’ve had countless variations on this, and… I’m just tired of these stories. Thankfully, this volume doesn’t really have any “failed invasion” stories, and actually twists that expectation twice, with great effect. I’ve had enough aggressive alien action. Give me more giant bread-man fights.

The Keronian fresh baked bread story was by far the best in this volume. It opens with what seems like Tamama and Keroro using the scent of fresh baked bread to somehow take over, but what they really do is bake Keronian bread and make gigantic Gundam-sized bread versions of themselves and fight them to determine a winner.

Giant bread frogs will always be welcome on my shelf.

Damn you, Sgt. Frog, for keeping my interest when I don’t even want to read you anymore.


Manga Sutra 4

Katsu Aki – Tokyopop – 2008 – 47+ volumes
this is the end of the Tokyopop translation

I reviewed this over at Manga Village, so you can check it out over there.

Really, all I have to add is that every volume of this series was unique and an absolute joy to read. I laughed and learned. It’s horribly 80s/early 90s, but at the same time taught me all sorts of naughty things in great detail. It wants more than anything to teach. It sort of fails when it comes to plot and characters, but that’s okay, because its tremendous strength lies in its lessons and the unique way they are framed.

I am sincerely sorry that Tokyopop didn’t have more success with this.


Paradise Kiss: Yukari and Me

I haven’t yet been able to participate in the Manga Moveable Feast, but the feature this month is Paradise Kiss, and I’m always up for recommending that one.

Paradise Kiss has been among my absolute favorite series since the first time I laid eyes on it eight years ago. I could go on and on about the excellent characters, the emotion exploding off the page, the wonderful art the likes of which I hadn’t seen before, but I think the root of my obsession is the way that I identify with it.

WARNING: Long, boring personal essay ahead. Also, this came out when I was 18-20, so keep that in mind, too. It came out at just the right time for me, eerily so, and I wouldn’t feel the same way, nor have the same long story to relate, if I read it fresh today.

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Portrait of M & N 1

Tachibana Higuchi – Tokyopop – 2010 – 6 volumes

All I needed to know about this series was that the main couple consisted of a masochistic girl and a narcissistic boy. It’s an interesting hook, to say the least, and enough to sell me on a 2-volume series.

Even knowing that much going in, this book was weird. With such a ridiculous premise, I thought it would be a comedy, but instead it starts off very serious, and it turns out that both characters are trying to hide their respective quirks after being shamed out of their old school. Mitsuru in particular is painfully shy and quite ashamed of her weakness, and does her best to hide it. There wasn’t much funny in her situation, since she was teased for being pretty, teased for being standoffish (she’s too shy to talk to others, and her good looks make people think she’s stuck up), teased about rumors from her old school about her being “loose,” and then it turns out she’s a masochist because her mother beat her growing up, and she knew that as long as the beatings continued her mother hadn’t completely given up on her. It was downright depressing.

Mitsuru and Natsuhiko (the narcissistic boy) are thrown together by chance at first, and Mitsuru awkwardly pursues Natsuhiko for his friendship, who reluctantly relents after a chapter or two. They begin to lean on each other as a means for one to help the other out in a time of weakness. Natsuhiko freaks out when he sees his own reflection in any surface, so he has to wear glasses in order to impair his vision. Obviously his glasses fall off every once in awhile, since this is a manga. Mitsuru turns into a different person when she’s hurt, and tends to beg the nearest person to continue the pain.

Later, another character is introduced who is privy to Mitsuru’s secret and is deathly afraid of dogs. He… doesn’t really play much of a role, and mostly serves as a strange plot device to bring Natsuhiko and Mitsuru together.

An unrelated short story at the end features an abusive boy that forces a girl to date him, then yells at her a lot and scares her into doing a lot of things she doesn’t want to. There’s a sentimental story involved eventually, and to my complete shock, it’s implied that they have sex at the end, which never happens in shoujo manga. The abuse was not to my liking and hard to read, but I have to admit I really liked the story as a whole.

Mostly, this book is just awkward and abusive, and a little hard to read, but there’s still something entertaining about it. I think it really is just the hook that sustains it, because neither the plot or the characters really develop. I have the second volume, so let’s see if it gets any better.

edit: I misread an author’s note that made me think this series was only two volumes. The fact it’s longer makes it skew a little worse for me, but I’ll go into that next time.


Sugarholic 3

Gong GooGoo – Yen Press – 2010 – 5 volumes

There’s not really any surprises here, but I still think this series is highly enjoyable as a Cutie Korean Comic.

One thing that is a little different is that Jae-Gyu seems to be leaning towards Whie-Hwan rather than Hee-Do, the lost love from childhood. Admittedly, it isn’t even pretending that Hee-Do is in the running, but all the same, when was the last time the lost love didn’t get the girl?

Hee-Do is in this volume more than the previous ones, when he shows up to save Jae-Gyu from a rich creep and finds himself in a confrontation with Whie-Hwan. He has a heart-to-heart drunk conversation with Jae-Gyu, who is still under the impression that he hates her. Jae-Gyu doesn’t really have any feelings for him, but she is beginning to warm up to Whie-Hwan, and vice versa. She’s still not all that likable, and it’s hard when someone as useless as her is fought over by three men, but I think it’s a testament to how addictive this is that I didn’t give that a second thought when it came up in the story here. It helps that this has all the things that make Korean comics interesting, like characters that unintentionally needle one another, a lack of timidity all around, a fast pace, and a snappy contemporary mood. Couples in these series aren’t usually harboring shy crushes, but are generally drawn together after not getting along at first. I like that approach a lot.

A couple major and really cool things happen. Whie-Hwan brings Jae-Gyu out in public for the first time, but nobody is fooled and Jae-Gyu is kidnapped and attacked by the same creep that tried to buy her at the auction last volume. Hee-Do shows up and saves her, then takes her from Whie-Hwan and the relationship is developed on all sides, with a near-admission from Hee-Do and Whie-Hwan missing Jae-Gyu like crazy with her gone. Later, Jae-Gyu and Whie-Hwan go on a date, which is rather contrary to the usual rich boy date in that everything goes wrong in a tremendously embarrassing way, with just enough realism so that you feel bad for the characters (ie the characters aren’t run over by an ice cream cart or something equally ridiculous, but are in a couple fender benders, are stranded in a strange place, get caught in the rain, et cetera). Later, Whie-Hwan begins to open up, but I think most of that will happen next volume.

The characters still aren’t all that sympathetic or terribly deep, but again, this type of Korean girls’ comic is definitely a weakness of mine. I think I just prefer the character types to their Japanese counterparts (like the heroines being strong-willed and not shy doormats, or the sarcastic banter that seems to go on between couples, or the characters that antagonize one another and keep things interesting). They’re still light reads and relatively… trashy, I suppose, but I could inhale a countless number of these and never get bored. I don’t know what it is, but Yen Press really chooses good titles. I really hope these types of series are doing well for them.


Pig Bride 4

KookHwa Huh / SuJin Kim – Yen Press – 2010 – 5 volumes

The last volume had a pretty nasty cliffhanger, so this jumps right into the middle of the action, with Ji-Oh tied to a tree and poisoned and Si-Joon forced to figure out the difference between the real Mu-Yeon and an imposter.

This scene is pretty over-the-top action-wise, and I was surprised by the direction it took.  Si-Joon’s deduction was the biggest shock since he seems more like the type of character that would luck out of a situation like that, and the climax to this confrontation results in Mu-Yeon’s mask breaking.  That’s not to say that Si-Joon solving the situation in a legitimate way is a bad thing.  On the contrary, it gives him a lot of depth that somewhat simple and selfish characters like him usually lack.  He’s interesting in a lot of ways… he is selfish and rich, but he doesn’t use his status against others, and his selfishness is very innocent.  He also possesses a surprising self-awareness on occasion, something else that characters like him usually lack.

Now, the mask breaking is significant, but we still don’t really see the aftermath in this volume.  Most of the characters still don’t know what she looks like (not as big a cop-out as it sounds since the reader does get a very good look at her), and the breaking of the mask signals a huge drop in her confidence.  In fact, she is so ashamed of what she’s done that she flees Si-Joon, who works his way into a funk until Ji-Oh suggests they find Mu-Yeon.  Things get weird, and… well, the book ends in a very strange place story-wise.  I’m sure the next volume will bring about a happy ending, but I’m not quite clear on how things will be explained, or why Mu-Yeon is doing what she’s doing.  Unless it’s a status thing.  That would make sense.

As a side note, the last couple pages are ridiculously romantic, even as wordless as they are.  Si-Joon is not the romantic type, especially when it comes to Mu-Yeon, but his face says a lot on those pages.  Wonderful stuff.


est em Update

At one point, I had planned on doing a lot of author-focused entries, but the problem is that I lack confidence in my knowledge. It’s not like getting the details wrong on Chameleon Army is going to incite a riot, especially if I plead ignorance beforehand, but it’s still not good.

This is a little different than what I had planned for this type of entry. I was curious to see what est em had done lately that hadn’t been translated into English, and thought others might be curious about her newer works as well, so here’s a little info. It’s not that helpful, since I’m terrified to google her name, but you might at the very least enjoy the covers.

Plus, a little info for anyone who isn’t familiar with her.

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