I quit manga.
Memorable scenes to add to previous entry: the two page spread where Light owns up, and his final two pages.
My roommate and I were having the discussion of the merits of having a two-page spread as two solid black pages when the technique was used in the most recent volume of Dragon Head. But I don’t want to geek this post up too much. I want to pout and cry in the corner. I wish I had something to read that would push this entry off the top of the page.
Light Yagami, total pimp. Excuse me, there’s some serious catfights in this volume. Not only is Light a supergenius and a mass murderer who’s worshipped like a God, he’s also a total Don Juan. My hero.
We finally get some action in this volume, though Ryuk disappears for awhile. It’s still mostly dialogue sequences though, which is pretty tedious. Most of the action occurs at the end, courtesy of Mello, who was also conspicuously absent. One thing I don’t understand is… there was a key death. How was that person’s name found out? Because that person would have been dead if their name had been known all along. I’m sure this didn’t fly under the radar of the writer and editor, and maybe I missed something, but it doesn’t seem like I did. I just don’t understand how that works.
Next volume: Light schools Near. Yes.
Oh my God, Light Yagami, my hero! There was precisely 0 action in this volume. You know what that means. It was a 200-page dialogue sequence. Am I serious? Totally. I forgive it this time though, because all the dialogue was on Light’s side, and I’m all for Light.
Excuse me while I fangirl about Light some more. There are a handful of scenes from Death Note that I will never forget, because they are too terrifying. First and foremost is the “EXACTLY AS PLANNED” panel from when Light gets his memories back. I still have nightmares about that, and it’s been several months. Tied for second are the face he’s making when he’s bent over L, and also the scene where his dad is finally satisfied that he is not Kira, which is one of the most heartbreaking scenes in the entire series. That one was only terrifying because it proved beyond a doubt that Light was a total psychopath more than anything else so far. There were two more scenes in this volume of a disturbing nature, which is why I’m going over all these right now. One was the face Light was making when he said “women are easy,” which was disturbing on many levels. The other was the perfect scene where Kira asks Light if he is God. So yes, there are the best scenes for the first ten volumes of Death Note.
I like the way things are going now. I hope Light can win in the end with this arrangement. I’m going to save these last three as drafts and publish them all at once, for posterity, to see how I like the end of the series. As a head’s up, I quit manga if Light loses.
I wanted to save the last four volumes to read as a chunk since the series had started to sour for me. Since I got volume 12 over the weekend, it’s time to get cracking on that.
There was some action at the beginning of the volume, and I was quite pleased that there was a face-off between Light’s dad and Mello. Actually, I applaud Light’s dad all around for his supremely awesome actions during the earlier parts of the volume. That made me wonder if I had maybe judged previous volumes in the Near/Mello storyline too harshly.
Then I read the rest of the volume, which is basically just a dialogue sequence between Near and Light. That’s right. The two of them talk for about a hundred and fifty pages. OH MY GOD NO. The rest of the volume really dragged after all the totally hot Shinigami action from the earlier chapters. I also hate Near and Mello a lot more now. I just want Light to win. Please. I don’t think it’s that much to ask. It seems like things are going that way anyway.
We do find out Mello’s real name at the beginning of the volume, which is just as engrishy as previous characters. The winner in ridiculous-sounding English names, however, will always be Quillish Whammy.
I’ve been really bummed since the series continued past volume 6. Volume 7 was disappointing, and volume 8 was even more disappointing. My main problem is that I don’t like either Near or Mello, the way this scenario is set up isn’t very appealing or nearly as solid as the initial case, and really, I hate to see Light squirm. I also hate the new character that was introduced this volume, more of a headache for Light.
And really, that’s all I can say since I’d hate to spoil this for anyone. You people weren’t kidding when you said this series went south fast.
I think I spoiled myself silly on this one when I got 4-7 together. Since this was the end to the first half of the series, I cheated and peeked ahead to see what had happened. I think I may have read the entire damn thing over the course of doing this several times, but I reread it again tonight for good measure just to make sure I haven’t missed anything.
This wraps up the first series nicely by taking a bunch of stuff Light planned in secret and smacking you in the face with it. For sure this series has a lot of good characters, but they’ve got quite a king with Light. Light is not only one of the smartest manga characters among the series I read, but this personality trait is balanced out by a really sadistic side that’s extremely disconcerting whenever it shows itself. You find yourself cheering for Light, the main character, and yet you must keep in mind he’s some sort of soulless killer, good intentions or no. The looks he has on his face throughout the entire volume… !
But yes, we get a wrapup of everything that had happened underneath the watch of L here. Once everything is taken care of, it jumps ahead a number of years to show the characters as adults/older (and I must say, adults who for the most part don’t look too different) and a new type of investigation. The volume stops just before you get a good idea of whether or not Light has a good way of dealing with the two new contenders in the truly heartbreaking way that only Death Note volumes leave off.
I’m not sure how I feel about the two new characters. Well, that’s not true. I don’t like them so far because they’re messing with Light. One of them I KNOW I don’t like because I think he has one of the creepiest faces in manga history. If you have the volume, flip to the page where he’s reacting to the sad bit of news at the orphanage. Are those his eyes literally bugging out of his head?
Anyway, I read this one again, even though I was pretty sure I’d read it before, because I got volume 8 in the mail yesterday. So at least now I can see how Light’s going to treat the new kids on the block.
Yeah, again I thought this plot was a bit more boring, but I like Rem and Misa and their thing a lot, and I thought the ending was quite epic and kickass. You guys show them! Way to risk your life, Matsu! Hooray for the ingenuity of Light and L!
Uh, yes. The executives were pretty boring as well as sleazy. I did like the way Wendy and Aiber worked, though, they were a good adddition to the cast of clever characters. Next volume is definitely AWESOME.