Bakuman 16

April 21, 2013

Tsugumi Ohba / Takeshi Obata – Viz – 2012 – 19 volumes

A Nizuma volume! It’s been a while! Crow reaches first place, and the editors are worried that Eiji will make good on his previous stipulation that if he reaches number one, he can cancel whatever series he wants in Shounen Jump. He brings it up with the Editor-in-Chief, who promises him he can if he stays in first place for ten weeks in a row.

Word gets out, and the other artists and writers featured in the series gather to try and figure out which series Nizuma is likely to cancel. Many of them think that this will be +Natural, which hasn’t been doing well in the ratings and hasn’t been good story-wise in a long time. This triggers a dramatic storyline for Iwase, who no longer believes she’s good enough to write shounen manga. Anyway, after some debate, they decide to ask Nizuma himself. Nizuma doesn’t say, but a gauntlet is thrown, and all the artists decide to write the best stories they can in order to break Nizuma’s first-place streak and force him to start the ten-week run at number one over again. Nizuma enthusiastically agrees, and the whole volume becomes a contest to see which artists and writers can outdo themselves, and how.

It’s really, really exciting, guys. It’s still got all the geeky stuff in it about what would make their specific story good, and even people that seem like they wouldn’t be any threat, like Fukuda’s car series, get really good places. Interestingly, there’s always been a gap in the first and second place spots in the chart, a series that isn’t mentioned, which I always assumed was One Piece and something else. Hilariously, that disappears in this volume, so the only series in the top of the charts are Bakuman series.

The Perfect Crime Party storyline is awesome, and is about a play on a particular image. It’s very clever, though I admit I don’t know that I would be that impressed in real life as Bakuman seems to think I would be. Then again, I’m not reading it. It’s possible it would be completely triumphant in real life, though it sounds like it does a lot of reaching and weird logical leaps, as Detective Conan is wont to do.

Nizuma’s actual intention? Awesome, admirable, and completely understandable. It’s an Akira Toriyama kind of thing, actually, and I liked it a lot. Sadly, nothing about what he’s doing is revealed or shown, but I loved all the different character reactions to it.

The end of the volume starts another storyline about a bunch of old artists that come back with unbelievable stories. Bakuman acts like you aren’t supposed to know why this is and who is behind it, but I knew where this was going immediately. Perhaps because I’m 15 years older than the target audience, so I shouldn’t gloat too much.

Man, volumes that aren’t about Shujin and Saiko make me so happy. Volumes like this are what make Bakuman such an awesome page-turner, and it’s a shame so many people were turned off by the blatant misogyny and terrible main characters in the first couple volumes. I can totally understand, but the rest of the series is so good. It makes me sad that people always call out the misogyny when I recommend it, because while it is rather offensive, it’s a non-issue after the writer realizes the side characters are more interesting. And at this point? Awesome stuff. Seriously.

This was a review copy provided by Viz.

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