May 12, 2012
Japan loves heroic thieves. This is one of the few cases I prefer the Japanese term, “kaitou,” as the English term “phantom thief” is a bit of a misnomer. I’m not actually certain what the genre encompasses in Japan, but for the purposes of this article, I’m going to go ahead and use the term “kaitou” to refer to any thief portrayed heroically.
Lupin III is the earliest example I’ve seen of this character type, and Lupin III is, interestingly, massively western-influenced. Monkey Punch’s style is informed heavily by the work of Sergio Aragones, a Spanish artist who gained popularity in the pages of Mad Magazine. The character of Lupin, however, is the grandson of the French thief Arsene Lupin, from the pages of a French novel series by Maurice Leblanc. The western roots are a little strange in this case because this type of character seems to come up a lot in manga, and nowhere else that I’ve read. There are examples, of course (Robin Hood, or maybe Han Solo at a stretch) but it seems like Japan loves this character a whole lot more than the rest of the world.
The kaitou is interesting to me as an example of a heroic villain, or maybe rooting for the underdog. In the case of Lupin, he’s not terribly heroic. He acts on whims, does as he pleases, and is constantly jumping in bed with women. He outwits police and criminals alike. He’s charming and goofy, which is why he’s fun to read about, but the key is that he’s not greedy. That’s true of all these characters. They aren’t actually thieves who steal for profit. And that’s the catch in manga, where a shoujo or shounen heroine would never be allowed to steal if it was actually for nefarious intent. Lupin is different than the others, but you’ll notice that many of the kaitou I list below only steal things if they are haunted or demonically possessed.
In particular though, I’m fond of the “gentlemen thief” archetype. I’ve listed all the kaitou I could think of here, but really, my heart belongs to the flashy gentlemen like Noir from Gorgeous Carat and Eroica in From Eroica With Love. And Lupin, in his way. There’s a bit more trickery in those types of stories, so they tend to lend themselves well to both good action and excellent humor. Plus, with an emphasis on the “gentlemen,” those usually have a touch of romance to them without actually being a love story. Except for Lupin III, which is totally about sweeping women off their feet.
March 9, 2012
For a long time, there was a lot of manhwa coming out in English. The flow has slowed to a trickle recently, but there is still life in the English-language manhwa market. However, the majority of titles are no longer being released by big English-language manga publishers, so you have to know where to look for new manhwa releases. Since things in the English-language manhwa market have been relatively quiet lately, I thought I’d write a little post that talks about what I’ve noticed over the past several months, and what to keep an eye on.
What brought this on? I ran across this volume of manhwa by Ji-Sang Shin and Geo. Now, I’m pretty familiar with nearly everything that gets released in English as far as manhwa and manga go. It’s kind of my hobby. So I was shocked to see that this was a Tokyopop manhwa title I hadn’t heard of before, and also that it was by Ji-Sang Shin and Geo, the same team that created Chocolat and Very! Very! Sweet. I love the latter. It’s a little crazy I missed this when it came out. And now my purchase doesn’t support the continuation of the series (but I still bought it). Don’t let the same thing happen to you!
March 3, 2012
In the newest installment of Insane Things I Bought Off The Internet, I present to you Comic Jun, from October 1978. This is the anthology that went on to become June, the first regular BL magazine, as I understand. As far as I can tell, Comic Jun ran irregularly for a few issues before the title changed to June in 1979, and then it ran with one hiatus until it ceased publication in 1996.
I’m fairly interested in the history of the genre. There’s a lot of information in English about the roots of BL in the 70s, and then a few examples of series that came out when it looks like the genre experienced a modern resurgence in the early 90s. But there’s a big gap in the 80s where it seems like nothing but June and doujinshi were coming out, and I just can’t find any information about this. What’s most interesting is that the 90s series seem to have almost no relation to what was coming out in the 70s, so whatever happened in the 80s was quite transformative. Comic Jun doesn’t really answer my questions about this, but I do like it as a look at 70s shounen ai stories that aren’t by Keiko Takemiya and Moto Hagio. Not that those two aren’t great, and I would dearly love to read more by either of them, but they’re also all I know. And for the record, Keiko Takemiya is in here. She drew the cover, too.
Again, I can’t read Japanese. I’m doing my best with the content in here, though, so bear with me. I blew my Friday deadline for the first time since July because I spent so long trying to research and translate what I could of this, so I really did try hard.
Also, some of the images and content are NSFW.
December 30, 2011
When you have a ton of manga, you spend a lot of time staring at the spines. In addition to relevant information, most spines have a small or cropped version of the cover. Surprisingly, very few artists take the opportunity to make their series stand out on the shelf by doing something special on the spines. There might be a few good reasons for this, perhaps the best one is that bookstores usually stock multiple copies of recent volumes, so a continuous image would be spoiled in the best setting for it anyway. But still, I love it when collections take advantage of the fact I’m going to be staring at the spine, and not the cover, for a long time after I buy it. Plus, getting to add another piece to a continuous image appeals to obsessive-compulsive collector types like me.
Here’s a look at the handful of series I’ve spotted with something special running along the spine.
December 16, 2011
On one hand, I dislike the flurry of best of lists that appear for all mediums this time of year. On the other hand, it is nice to see a shorthand list of stuff I may have missed, and it’s a good way to spotlight things that should’ve gotten more attention. I’ve never done one of these here before, and I prefer to contribute to other sites (that’s also forthcoming), but there’s a first time for everything. Plus, my manga is packed away in preparation for its twice-annual move to Ohio, so other topics are a little difficult to cover at the moment. So here’s a Best Of List for the Friday Feature!
I read a lot, and I have a hard time making lists like this. Saying, for instance, Lychee Light Club is better than Sakura Hime is hard, because I like both, and there’s no way to compare those two series. They’re just different. So for more fun, my categories are arbitrary. And since I wound up with so many categories, I’m just going to link my reviews rather than explaining again why I like them.
The only requirements are that the series had to have at least one volume out this year, and that I loved it for whatever reason. There’s a lot of latitude after that. And keep in mind I like some pretty terrible series. Also, I couldn’t think of a funny title, but Wandering Son is a pretty fantastic book, too.
October 14, 2011
I went to the Mütter Museum in Philadelphia about a month ago, where I got to see a real-life Pinoko.
Not really. But they did have… something along the lines of Pinoko, without the cute robot body, among the collection. They also had many other things that one finds in Black Jack and/or nightmares on display. So this has put me in the mood for medically-themed manga lately. And since I’ve got this blog and all, I thought I would make a list and share it.
July 22, 2011
July 21st marks the seventh anniversary of the site. I usually let it pass without comment, but I felt like changing things up a bit, and I have a soft spot for anniversaries as a time of change.
As you might have noticed, I decided to change the layout. I enjoy plain and uncomplicated layouts quite a bit, and the old one was basically perfect for this site, but I’ve been thinking of changing it up here for quite some time. The only reason I kept the old layout as long as I did was because I could write with a font that used old-style numerals. Eventually, I decided that this was a terrible reason to keep a layout, thus you see this one (which uses old-style numerals in the headers, because I am fixated). The text is a little bigger, the sidebar is a little more streamlined (I moved the links to their own page, and the pages are tabbed at the top now), and… well, I had the old one up for seven years. It’s been long enough. Plus, a little color never hurt anyone. I do miss having the post counts next to the series names, though.
The biggest change is that I’m going to be posting regular content on Fridays (which is why I saved this change for today, rather than posting it yesterday on the right date). I’ve tried to commit to regular features several times over the years and failed, but I’ve done more than a month’s worth of content in advance, so I’m really going to stick to it this time. The features I’ve done in the past seem to be of limited interest, and what I have planned should be equally esoteric, but I like doing them, and that’s as good a reason as any to put something in a blog.
So. It’s been seven years, and there are 2,710 reviews on this site for 634 series. Well, “reviews.” I ramble for a while every time I read a volume of manga, and this is more like a reading journal for me. I’m more of a fan than a critic. But it’s old, and it’s big, and I’m fairly proud of it now.
Alas, Cheeky Angel 1 was the first review posted on this site, back on July 21st, 2004. Not a very memorable series, but I did think of it today while I was picturing possible outcomes for Your & My Secret (the eighth and final volume will be out in Japan in mid-October, and never in English now that Tokyopop is gone). Apparently my tastes in gender-swap comedies haven’t changed over the last seven years.
Seven years is an awful long time for any website to be around. Here’s hoping I can make it to the tenth anniversary without embarrassing myself too much.