Sakura Hime 12

March 18, 2015

Arina Tanemura – Viz – 2014 – 12 volumes



I was a little taken aback, because this is like Game of Thrones:  The Shoujo Manga in this last volume, and it’s a little uncharacteristic of Tanemura.  And Ribon manga.  But man, I loved every page.  There was a thing that kept happening over and over again, and I couldn’t believe it every time.  There wasn’t really that much take-back, though.  And I liked that about it.

I loved this ending.  I got ridiculously caught up in it.  Best scene was probably when she took her soul symbol back.

It’s volumes like this one that make me wish I had real-life friends I could call and just gush.  I can’t do it here without spoiling anything.

But man.  Sakura Hime was worth reading.  I liked it so much better than Gentleman’s Alliance and Full Moon.  Did I like it better than Kamikaze Kaitou Jeanne?  Well, I’m going to have to re-read that one and find out.  Good thing Viz is giving me the opportunity.  I did re-buy it, because it now matches the rest of my Tanemura volumes.  And I desperately want to support Tanemura in English.

And I really, really, really hope that Tanemura isn’t falling out of favor with US shoujo fans.  The KKJ reprint is wrapping up, but there aren’t any more Tanemura books currently scheduled.  I hope they announce something this spring.  There are three titles currently untranslated.  Fudanjuku Monogatari, which is a one-shot that I’m not holding out much hope for.  There’s The Cat’s and My Friday, which sounds like a contemporary romance thing and her main series, and the newer Thirty-One I Dream, which sounds like a love letter to me, and I have my fingers desperately crossed for.  Admittedly, that one is less likely since the target audience in the US probably couldn’t relate to a 30-year-old heroine like I can.  But I would still like to see it.

EDIT: I AM SO HAPPY.  I wrote this up in November, and since then, Viz licensed the one I call “Thirty-One I Dream,” which is now called “Idol Dreams.”  Can’t wait!

Tanemura also mentions a couple times that she’s retiring from Ribon, despite her former wish to always write stories there.  Her letters of thanks to the magazine and readers nearly made me tear up, so it sounds like it really was a big deal to move to Margaret/Melody.

Basically, I’m a huge Arina Tanemura fangirl, and I was happy with the end of Sakura Hime.  If you like shoujo manga, you should check it out.

Sakura Hime 11

February 13, 2015

Arina Tanemura – Viz – 2013 – 12 volumes

Ooh, evil evil evil!  My two favorite characters are Asagiri and Rurijo, and in that way, this is the volume for me.  I love their relationships with Sakura, and Rurijo’s only gets better here.

The Rurijo storyline at the beginning of the volume basically wraps up her part in things, and it was just about everything I could have hoped for.  There’s a rather ugly scene between her and Enju, and she eventually confronts Princess Sakura.  Even they get a wonderful scene together.  Then, everything changes, and it’s great, and I couldn’t be happier.  Honestly, I had not imagined anything like that for Rurijo.

Then I thought to myself, “Of course that happened!  This is Tanemura!  She wrote a manga about a little girl with terminal throat cancer where not even the dead people were really dead!  Nothing bad is going to happen here.”

But then the volume kept going.

I’m not at all upset about what happened, just sad.  And yes, it was surprisingly evil.  But I’m happy to see it.  Perhaps her stories are now growing out of Ribon (she’s said before she wanted to draw for Ribon indefinitely).  None of her three newest stories have run in Ribon.  I’d love to try out the *gasp* slightly more mature Tanemura story.  And when I say that, I know full well Margaret stories aren’t actually that much more mature.  But Melody stories sometimes are, and I’d love to read that one.  But I’ll talk more about that next time.

Sakura Hime 10

December 19, 2014

Arina Tanemura – Viz – 2013 – 12 volumes

I kept the last three volumes of Sakura Hime together and on the top of my to be read stack while breaking from manga, because I knew if there was something that would suck me back down the rabbit hole of shoujo, it would be Arina Tanemura.  I love her so much!  And I always have, ever since I was drooling over her pretty Kamikaze Kaitou Jeanne color art in the late 90s.  And that was even before I read the manga.

I was worried that Sakura Hime was going to be a little too soap-y to dive back into the end.  But really, I’ve read enough shoujo manga to know what’s going on, and with the character chart in front, I was good to go.

I was happy to see the end of the Rurijo/Hayate story at the beginning of this volume.  It was So! Freaking! Cute!  I really like Rurijo, and she’s well-written as a somewhat cheery and very honest, but still a villain, and she still only exists because Enju made her to be a monster that looked like his sister.  Which is super-creepy, but she seems to deal with it well.

The only bad thing about the Rurijo/Hayate story is that it splits up Hayate/Kohaku, which I also like.  Where does my girly shoujo heart lie?!  Well, I do like Rurijo better than Kohaku.  Then again, the scene between Hayate and Kohaku after the first chapter here nearly broke me, so I don’t know that my pure shoujo heart of hearts can root for a villain.  Realistically, since Rurijo isn’t a real person, she’ll probably dissolve in a cloud of mermaid tears or whatever, Hayate will be sad, then Hayate and Kohaku will hook up anyway.  But the agony of indecision is what makes reading shoujo fun.

Near the middle of the volume, Sakura gets to meet the emperor.  That doesn’t go well.  Luckily, we don’t have to worry about that for too long.  That was… super-dark and fairly shocking, even for me.

Later, another fun storyline plays out about the relationship between Princess Yuri and Enju’s henchman Maimai, both of whom are obsessed with beauty.  They play well off each other as well as Sakura, and I cracked a smile more than once through there.  There’s dark backstory too, of course, and it ends with some fairly serious sacrifices.  But it was still a fun story, and I’m glad that Tanemura is balancing that well with the dark stuff.

After this volume, I can see how this story might be wrapping up in two more volumes.  The opposition is slowly weakening, though Enju himself is very terrifying.  That… may be all there is left to deal with, unless Rurijo gets another story.  I am ready.

Sakura Hime 9

April 21, 2013

Arina Tanemura – Viz – 2012 – 12 volumes

I haven’t read this in awhile, but it’s still addictively good, though I’m not sure how many fans it will win outside the shoujo audience. Arina Tanemura is always good for it, and this series is particularly good. I’m not sure that it’s my favorite, but it’s probably the most solid and enjoyable all the way through.

Less drama in this volume, most of which is dedicated to the odd friendship between Hayate, the young ninja who was accidentally turned into a frog, and Rurijo, a kind of Nataku/Golem-type creature that looks like Sakura and was brought to life by her brother. Rurijo is a particularly nasty villain. While all the others have a reason for following Sakura’s bitter brother, Rurijo does so because he created her, and she loves him.

This volume shows a wonderful side of her, though. While it can be a bit tiresome to see villains made to be “good” over and over again, I thought it was nice to see the bright, cheery side of her personality. And that’s pretty much all it is, her personality, as we learn later. I liked that part of it, too. We also get to see a new side to Hayate, who feels neglected by Kohaku. While he thinks of nothing but Kohaku, he’s not sure that she shares his feelings since she tends to be completely devoted to whoever she’s serving (in this case, Sakura). The friendship between Rurijo and Hayate is quite lovely, and was an unexpected bright spot in a story that has been tending towards darkness lately.

Speaking of which, we get some of that in the beginning when we learn about Aoba’s curse (which is pretty awesome) and settle the matter of cheating, alternate wives/spouses in general, et cetera. That part was never very interesting since there was no chance Sakura and Aoba were going to spit up. I wish there was, especially since Aoba was so terrible in the early volumes, but that’s not the case.

Tanemura expresses some dismay at having to draw Rurijo in the nude so much, which I thought was funny. As a golem-type creature, she needs to soak up a lot of water, so Hayate actually runs across her (and keeps meeting up with her) while she’s bathing. Being naked doesn’t really bother Rurijo, and that adds a lot to the personality thing I mentioned earlier, too. It’s nice to see that she can be naked without it being a super-sexual thing, too. Tanemura is right, it seems to suit her.

Tanemura talks a bit about the volume Fudanjuku Story that she was working on around the same time this was released. I mentioned before that this was totally coming out in English as an inevitability, but as she was talking about it here, I realized that it was apparently about some sort of idol group? In which case, it’s totally not coming out here. I was bummed, but an online summary I read just now made it sound like a very typical shoujo manga, so maybe she takes the band members and puts them in a school club, or something? In which case, there’s a chance, depending on if the manga’s only a small part of the book or the whole thing? I’m a little curious now. Then again, it’s also possible that Arina Tanemura’s manga aren’t selling that well in English anymore, which would also explain why it hasn’t been licensed. That would be most heartbreaking, though.

Basically, I’m still enjoying this immensely, and I am curious to see how it ends. I’ve expressed doubt over the end of a Tanemura series before and been surprised by Time Stranger Kyoko, but then again, Full Moon. She mentioned Sakura Hime was going to be long, but then ended it at volume 12. I’m curious to see how cleanly this happens. We’re mostly caught up with Japan, which means the next few volumes will come out slowly. That’s fine, because I do enjoy this series a lot and will be sad to see it end, something that doesn’t really occur to me much anymore. And I do hope to see more of her work in English. If not Fudanjuku Story, maybe her new series.

This was a review copy provided by Viz.

Sakura Hime 8

October 26, 2012

Arina Tanemura – Viz – 2012 – 12 volumes

Hmm… I guess I didn’t realize this had ended in Japan! I was under the impression that it would continue into the upper teens at least, Tanemura’s commentary made it sounds as if there was still quite a bit of story to go. Now I’m curious!

I haven’t read this series in awhile, and this volume was a great place to pick it back up. It had gotten a lot darker with the ugly Enju fights over the past couple volumes, and this volume takes a break from all that and gets back to the business of romance. Now, in my heart of hearts, I really can’t forgive Aoba his actions in the early volumes, but it’s so easy to get swept away by well-done girly romance, and Tanemura is a master of all things girly. The book opens with Sakura and Aoba more or less all over each other, and both are gearing up for their wedding night. But a wrench is thrown into their plans when Aoba’s father insists he take on a concubine or give up Sakura. The new wife, Princess Yuri, seems like the perfect woman, and through her efforts, she manipulates Sakura into thinking that the two are friends. Later, Sakura begins to suspect Aoba is cheating on her, and things go downhill from there. There’s a bit of drama, but it’s mostly good-natured, and it’s nothing like the dark volumes that came before. There’s some minor infidelity on both sides when Aoba falls for Yuri’s attempts to seduce him, and Sakura falls into Fujimurasaki’s trap while he consoles her broken heart.

Things don’t end in a good place, especially since Fujimurasaki has revealed his feelings to Sakura, who obviously doesn’t return them. I have no doubt where all this is going in the end, and I know that Fujimurasaki doesn’t have a chance in the world. What is interesting is that it seems like the story is going along with the fact that Aoba has two wives, though not in his heart of hearts. Now there’s some ground-breaking shoujo, at least in English.

I was also delighted to see the Ion one-shot in the back! Hooray! It’s been so long since I’ve read that. The characters have been aged just a bit for the one-shot, but it’s basically the same silly psychic-themed romance. Tanemura has some fun at the expense of her changed artwork, and it’s basically the kind of thing you would expect from her. It’s nothing groundbreaking or special, but again, I’m a huge fan of girly shoujo, and it certainly is that in a huge dose. I was pleased.

I’m curious to see how the series will resolve the Fujimurasaki business, the rift between Aoba and Sakura, and the conflict with Enju in four volumes. I have my doubts. Then again, I had my doubts about Time Stranger Kyoko too, and that series is supremely awesome. Sakura Hime isn’t necessarily my flavor of shoujo, but I do love Tanemura’s work to bits, and I get caught up in every volume so easily that it’s really hard not to like it. Volume 9 in December! Can’t wait!

This was a review copy provided by Viz.

Sakura Hime 7

March 28, 2012

Arina Tanemura – Viz – 2012 – 10+ volumes

I was happy to see the end of the fight against Enju and his minions here. It was not without its emotional moments, but I still loved every pretty page of it.

Asagiri and Ukyo are still fighting things out at the beginning of the volume here. The flashback has ended, but they still have a bit more to go over in the present. Asagiri and Ukyo are potential lovers, of course, which adds extra drama to the whole thing. Especially since they both seem to be missing the intentions of the other. Asagiri in particular doesn’t seem to really understand where Ukyo stands presently, which is making the battle that much more difficult. But Asagiri is also my favorite character, and I’m happy the story is spending so much time with her.

There’s a wonderful two-page kiss scene between the two, with Asagiri in her one-inch-sprite form. Aaahh, shoujo manga.

The action shifts back to Princess Sakura, who is temporarily freed, then enslaved mentally by Enju shortly after. She begins acting as a puppet in her transformed form, doing Enju’s bidding without being able to resist or even conscious of what she’s doing. She’s actually enslaved in a strange mental prison, where Rurijo holds her captive against her will. Bad things happen while she fights this inner fight, but one of my favorite parts of the series so far happens at the end.

She turns to her brother, and realizes he’s not her brother Kai that she used to know, but Enju, a very bad man. Conversely, Enju has to realize that she’s not his little sister, but the Sakura that all her friends know (a fiancee, a warrior, Princess Kaguya’s granddaughter, a friend), and she refuses to throw all of it away to go with him. It’s a beautiful speech, and a wonderful chapter. Again, a truly great moment of shoujo manga.

Tanemura says she’s got a long way to go to tell the story of Princess Sakura, and I’m happy that this isn’t going to end anytime soon. It’s quite an involved story at this point, and it would be a shame to see it rushed or ended early. I’m also happy that all these flashbacks are over and done with, and that the plot can move on now. As for what it is moving on to, I’m curious to know. There’s not a clear direction at this point, but the emotional fallout from this will probably take a volume or two to deal with. Or not! Sometimes shoujo manga characters are quite resilient.

I do love shoujo fantasy, but it’s difficult to say whether I enjoy this or Dawn of the Arcana more. They’re completely different flavors, and I’ve only read two volumes of Dawn. Both are very good. Dawn has a slightly more mature flavor, but there’s something to be said for Tanemura’s beautiful art and her very classic stories. They’re always worth reading, and always a lot of fun in the end.

This was a review copy provided by Viz.

Sakura Hime 6

January 31, 2012

Arina Tanemura – Viz – 2012 – 9+ volumes

So, now that I’ve read volume five, the fight between Shuri and Kohaku makes sense! As of this volume, the characters are still working their way furiously towards Sakura for an attempted rescue. Last volume, we were waylaid by a flashback and fight for Shuri. This volume: Ukyo, with a lengthy flashback about Asagiri!

I had wondered about Asagiri more than the others. She’s a tiny mononoke sprite, after all, and while she seems quite affectionate towards Sakura, she’s fairly grumpy otherwise. Plus, I was sure she was concealing all sorts of secrets. Her backstory is very good, and I don’t want to spoil it. She does come from a village of female snow spirits, and Tanemura does a good job of bringing their culture and lives to life in the flashback. There’s lots of tragic stuff afoot, obviously, and I liked both Asagiri and Ukyo’s role in it. It does finish up with one of my pet peeve plot developments, the “I’ve done something horrible that I’ll regret the rest of my life except nobody would ever blame me for it so I’m not really a bad person”-flashback. But even so, it’s pretty evil stuff, and the story suited Asagiri.

There’s a couple cute short stories in the back. One’s a fairly simple children’s story about an angel named Maple Rose that visits the world of humans to escape from an angel party, and another is a silly gag chapter about the mascots from the various Arina Tanemura series. I missed Finn and Jonathan. And I say that Asagiri should be the mascot from Sakura Hime. And what about the cat from Time Stranger Kyoko? Maybe cute small people don’t count? But Fin does!

Obviously I’m still having a blast reading this. I loved Asagiri’s flashback, and I’m looking forward to where the story is going to go from here now that all the backstory is out of the way. Hopefully it’ll lighten up a little bit between serious story arcs, because I love seeing the characters having fun with one another.

This was a review copy provided by Viz.